Silhouettes in Dialogue is a collaboration of form and feeling. Conceived by Curación Collection in partnership with UNIFORM, this limited-edition pairing reimagines couture as furniture. The Fray Ottoman and Balance Armchair translate the emotional language of high fashion into sculptural seating upholstered in UNIFORM’s couture textiles; transforming garments into tactile landscapes. These pieces embody the future of African luxury: instinctive, emotional, interdisciplinary. For collectors, they offer something rare: furniture as wearable poetry.

Details
Values:
The Clifton in Couture: Feathered Armchair: from ZAR 52,000/USD 3,100
The Clifton in Couture: Fray Ottoman: from ZAR 42,000/ USD 2,500
Specs / Technical / Materials:
Upholstered in UNIFORM’s feathered couture gown, oak base
Upholstered in UNIFORM’s textured couture jacket, stainless-steel base
- Handcrafted in South Africa
- Interdisciplinary construction merging couture pattern-making with collectible furniture design
Lead Time: 8–12 weeks
Commissioning Process:
Both pieces are available for direct commissioning online.
Custom requests and couture fabric variations available via consultation.
How to Get It:
Contact Curación Collection directly or via email for bespoke orders. Alternatively, use the form below.
Geography / Shipping: Ships from South Africa; international delivery
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Nompumelelo Ntintili works at the intersection of visual identity, cultural narrative and creative direction. Her practice spans film, fashion, editorial and live performance, shaping how story and aesthetic language are communicated on screen, on stage and in culture. A Creative Director and Cultural Strategy Consultant, Sinxoto’s work is defined by intentionality. Whether developing character worlds for Netflix, guiding the visual direction of global luxury campaigns, or shaping narrative tone through editorial writing, her work reflects a considered and deeply cultural point of view. Former Fashion and Lifestyle Director across leading South African magazine titles, Ntintili has spent nearly two decades engaged in how African identity is styled, framed and seen.







